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Ideas - London's 100% Design Show
Our “Ideas” articles keep you in touch with styles, trends and developments in design, providing you with articles and information that is of direct practical benefit to your company and your customers. Jenna Heywood reports back on the new trends and products at the 100% Design Show.

Innovation - Rossiters of Cardiff
These articles show how JSA’s design and build work has directly improved our clients’ business and perhaps gives you some ideas as to how we might work for you. We have a look at Rossiters new store in Cardiff.

Inspiration - Exeter Princesshay
Our “Inspiration” section is an informal look at the ideas and people that shape future trends.
Julian Hoad takes a look at the £225 million redevelopment of Exeter's city centre.

 



London’s 100% Design is the UK's premier contemporary interiors event. ‘Connecting the worlds of architecture and design with innovative, contemporary interior products, creativity and an exciting mix of new and established talent.’

Jenna Heywood one of our interior designers visited Earls Court for this year’s event on Thursday September 20th in search of new trends and products.

This is Jenna’s report:
“I became almost instantly aware of the sustainability issues throughout the show. As a new designer I am well aware of eco-issues and I am enthusiastic about designing with the environment in mind, making simple sustainable choices when choosing products and materials is one step in the right direction to reduce the UK’s carbon footprint.

Echoing the sustainable issues I discovered that ‘Organic’ design was a key trend embraced by many designers at the show. Harnessing ideas from Mother Nature enables designers to create some sexy looking products and in turn eco-friendly designs. Inspired by our natural world, flowing shapes and curvaceous structures were evident in a wide range of products. From biomimic lighting, like the ‘Dandilight’ by Benjamin Hubert, adopting the aesthetics of a Dandelion, to furniture being made entirely from recycled or biodegradable materials such as cork, bark cloth and bamboo.

A good example is ‘The Costello’ seat by Kent Gration which is ergonomically formed by a mosaic of cross-laminated bamboo highlighting the exotic nature of the material. Utilising natural materials brings a natural beauty whilst being a sustainable choice.

One of my favourite organic products at the show was the paper ‘Soft’ seating range by Molodesigns. I was really impressed by this range of stools, benchers and loungers made entirely from paper with a 50% recycled content. They are made from a flexible honeycomb structure which can be compressed to take up hardly any storage space and then fan open to create the surprisingly strong seating.

The natural, organic look is a key trend for 2008; and another of my favourite products has to be the decorative panels encasing grasses and leaves as illustrated on the bear grass panels by Futimis’s.

‘Metallic’ was another emerging trend, with metals such as pewter, brass and gold featuring heavily. Metallic light fittings can create stunning feature lighting as the metal retracts, focuses and diffuses the light source. First entering the fashion realm and now into our interiors the metal trend is vogue. As an expression of moderninity an excellent choice of light, would be from the Tom Dixon range.

 

 

My favorites here were the ‘Beat Lights’, which are hand crafted from beaten brass. The inspiration for the design came from the traditional, rapidly vanishing skills of master craftsman who design the water carrying vessels carried on heads all over India. The hand beaten brass ages creating a patina black external surface in contrast to the warm golden interior. The Beat collection also includes a series of ‘vessels’, which are big, bold vases in pure unpolished brass to bring in the metal hue and enhance your interior space.

The metal palette could be spotted in all product ranges including ceramics and textiles. I particularly like the idea of woven metal in fabrics to create screens and partitions that would benefit a retail or leisure space. One that caught my eye is from Danish textile designer Annemette Beck, a designer of shimmering metal wall hangings and screens. She experiments with combinations of metal threads such as silver, copper and yarn along with wool, linen and plant fibres.

My personal favourite, and an easy way to add a bit of metallic sparkle to your interior is with the application of wallpaper. Natasha Marshal has a stunning ‘Atlantis’ wallpaper collection, which feature a shimmering coral pattern, connecting the worlds of metallic and organic, which is available in seven colourways. Equally as elegant is In Luxury’s collection by Jane Belvin and a little gem of a wall covering is Elites ‘Diamants en pluie’ featuring glistening charms.

 
 

The show was a delight to see, with the first 100% Design London Awards, the introduction of emerging new design talent and spotting Lawrence Llewellyn—Bowen were amongst the highlights for me!"

A full review of the show is available at www.100percentdesign.co.uk where you can also buy the 100% Design Directory. It will certainly be on my calendar for a visit next year!

 


 

Design-led homewares store Rossiters of Cardiff opened its doors on August 30th. The store occupies a two-floor, 14,000 sq ft unit which is the former David Morgan building, retailing a stylish range of furniture, homewares and gifts. Rossiters’ original store situated in the heart of Bath is well established. Peter James, Managing Director of Rossiters, said, “We have had shoppers travelling from Cardiff to our Bath store for years and talking of how popular Rossiters would be in Cardiff, so now they have their own store right on their doorstep".

Rossiters, which is a privately-owned family business, chose Jamieson Smith Associates to design and fit out their Cardiff store after developing an excellent working relationship during numerous projects including Wildings of Newport, Worthingtons of Thornbury and Rossiters of Bath.

Buying Director for Rossiters, Ann-Marie James said "We have hand-picked every product with our Cardiff customers in mind. We wanted to create a shopping experience that appealed to all the different types of customer. By increasing our furniture offering and gift department we can appeal to people living in the city, as well as catering for those in the suburbs".

Heidi Haines, Senior Designer at JSA said "From the beginning this has been an extremely exciting and challenging project for us. With a multitude of issues to incorporate and overcome”.

The entrance proved the first challenge with restricted access and steps into the store, which meant a platform lift, needed to be incorporated into the design. The previous escalator void was used to accommodate the new lift and main staircase. Other issues which needed to be overcome were damp, uneven floor levels and listed building restrictions relating to the columns on the ground and basement floors.

Special attention was paid to the staircase making it the focal point on entrance. The huge columns which surrounded the void were made even larger due to the required installation of fire shutters. The opulent feature staircase designed in a ‘T’ shape included wrought iron spindles, walnut handrail and a bronze tinted glass balustrade. A giant pendant lighting feature was added over the stairs with huge bronze globes in the shape of a swirl. The attractive organic shape helps draw customers down to furniture on the basement level. The bronze globes are mirrored enabling the shop and merchandise to be reflected creating a 'show' as you descend.

The columns either side of the main staircase were decorated with hand painted murals of trees to soften their appearance and create a more enticing feature. To ensure the final look of the store did not appear too contemporary great care was taken to minimise the use of steel and glass.

 
 

A solid dark timber floor was laid on the ground floor. However due to damp levels in the basement a timber vinyl effect flooring was utilised with a seagrass carpet to the lower level.

Due to historical cornicing and columns on part of the ground floor, half of the ceiling had to remain open. Ceiling rafts were cleverly used to conceal sprinklers, air conditioning and lighting, whilst the ceiling was painted in a contrasting dark cream with rafts and cornicing finished in white. Wardrobe wall units were located along the perimeter walls and broken up by large dark timber feature units with accessories displayed in a specially adapted French Armoire. Display tables were designed with curved legs, using reclaimed railway sleepers for tops. Smaller tables and plinths were designed to contrast with these in a sleek modern finish in shocking pink.

Open windows into the arcade were retained on one side of the store to create a view inside. The windows were split into three display rooms. 'Eye stops' were created at various levels to create intrigue and draw the focus to the window bed as well as directly into the shop itself. A large shelving unit was introduced spanning across two columns to create a backdrop as well as creating stock space.

 

 
The basement proved even more difficult with low ceilings and walls creating blocks. The decision was taken to remove as many walls as possible or where not possible, windows were created to give views through into the next area. To soften the mood the walls were wallpapered with a textured looking paper in tonal colours. To give each room set a different look and feel, large moveable canvasses were created to take brightly coloured wallpaper.

Finally MD Peter James added "We are delighted to have opened our second store, in Cardiff, which is a city rapidly on its way to becoming one of the UK's top shopping destinations. It's an exciting time to be launching in the city".
 


 


In 2005 Exeter won a rather unfortunate accolade as the most cloned city centre in the whole of the UK. A report by the New Economics Foundation highlighted this modern phenomenon called "clone town Britain". High Streets all over the UK have become homogenized, saturated with big brand names, but unfortunately for the customer, less and less choice. Exeter, as the most extreme example of a clone town was only awarded a dismal 6.9 out of a possible 60 for it’s individuality on the High Street.

However, this low score may have been slightly unfair! Exeter has been going through a massive regeneration programme and for the past 5 years, much of it’s busy High Street has been covered in scaffolding, large chunks have been fenced off and shops have been left dormant. There has been much anticipation in the air as the outdated area of town, known as Princesshay, has slowly been torn down and rebuilt.

Exeter has always been something of a leader rather then a follower. This sounds great in theory, but in practice it has made Exeter seem out of date in recent years. The old Princesshay (so called as it was opened by the then Princess Elizabeth) rose out of the ashes of the Second World War when most of central Exeter was flattened by Nazi bombs in 1942. At the time it was a triumph – it was a chique place to shop in the early 50’s and it was, along with the newly completed High street, the first city centre to be regenerated after the war. Exeter also boasts one of the first purpose built indoor shopping centres in the UK. In the seventies and eighties, Exeter could boast about it’s fine shopping environment and revel in its being one of the best places to live in the UK. But as the new millennium approached, Exeter’s past innovations lost their sparkle, the High Street became drab and generic. Something needed to change and the answer was a new Princesshay.

At £225 million, this investment represents the biggest single regeneration within Exeter’s history and has further strengthened the city’s status as the region’s capital. The new development, provides 37,160 m (400,000 sq ft) of prime retail and 12,077 m (130,000 sq ft) of much sought after residential apartments, all planned around a series of pedestrian streets and public spaces.

Princesshay hosts a range of more than 60 stores with new premium brands such as Zara, All Saints, Coast, Karen Millen, Fat Face, Reiss and Apple moving into Exeter for the first time. Along with anchor department store Debenhams occupying the biggest unit (130,000 sq ft ) in Princesshay. Seven new Restaurants have also moved in including Giraffe, Strada, Exeshed, and wagamamas most are situated around the main focal point of the scheme, the new European-styled Princesshay Square, which is also home to the striking Pavilion building which features remarkable contemporary public art that complements the views of Exeter’s 12th century cathedral.

The new development has so far created more than 1,500 jobs and has now put Exeter in a strong position to compete with Bristol and Plymouth.

 


Exeter has found it’s Mojo again!

And there's more good news on Exeter's shopping front. A new survey reveals the city is one of the top places to shop in the UK. The poll by Yellow Pages placed Exeter second in a Top 10 list of the best places to visit for retail therapy outside London. It was beaten by Glasgow to the number one slot.

John Lewis could also be coming to Exeter. Exeter City Council is extremely keen on the brand and have already engaged in discussions with John Lewis to try to entice the firm to the city. John Lewis plan to push ahead with an aggressive expansion scheme which could double the size of the business. And have identified 30 new locations throughout the UK that they would like to open stores in.

What's missing
Not a lot, but as ever, every city has it’s own unique selling points. And when large developments move in others move out. Princesshay has worked hard to retain and improve the character of Devons capital city by opening up vistas of the cathedral. Along with a large section of units allocated to local retailers, the whole area feels as if it’s an inclusive environment rather than an exclusive one. Which has in turn eased the pressure in other parts of the city, with the main brands moving into Princesshay, Exeter is seeing a rejuvenation in other areas with new brands and independents snapping up key units throughout the High Street.

To be fair, Exeter has always had a good range of unique stores, situated in Gandy Street (however, these were not taken into consideration when the 2005 survey of clone cities was evaluated as it is not on the High Street!) This area of the City Centre is also benefiting for the Princesshay boom. Exeter now buzzes with excitement and the shopping has never been better.

So will Exeter ever revert back to a clone… I hope not.

 
     
 

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